What explains the phenomenon that the most voluminous, influential musicological works dedicated to Komitas were written in the Soviet period? What new documents are added to the Komitas archive today? Which institutions can act as a regulatory body to prevent distortions of Komitas's art? Musicologist Lusine Sahakyan, head of the chair of history of music of YSC, was hosted at "Artfocus". Anahit Margaryan moderated the conversation.
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Telecast type: Հաղորդաշար