Does the listener really not understand modern music, or do the musicians not believe that the listener will? What features of Michel Petrosyan's music particularly attract the western listener? What advantages and disadvantages has the "metamodern" concept brought to the field of contemporary compositional art? In what direction is academic modern music developing? French-Armenian composer Michel Petrasyan is the guest of "Artfocus". Anahit Margaryan conducts the conversation.
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Telecast type: Հաղորդաշար